The World

Frank Stella’s Blues

Frank Stella has had a long and varied career. He made his name in the 1950s with a series of all-black paintings; moved on to boldly colored striped canvasses, and in more recent decades, he’s used aluminum to make colorful,sci-fi-looking sculptures.

Arts, Culture & Media

Frank Stella has had a long and varied career.   He made his name in the 1950s with a series of all-black paintings, when that kind of thing was audacious; moved on to boldly colored striped canvasses by the 1960s; and in more recent decades, he’s used aluminum to make super-colorful, twisty, sci-fi-looking sculptures.  
This summer the Phillips Collection in Washington, D.C. is showing a group of those works: Stella’s K. series.   They take their name from music:   Domenico Scarlatti’s keyboard sonatas, each of which has a K number assigned to it – from K.1 to K.555.

Turns out Stella has had a love-hate relationship with music his whole career.   Then again, WNYC’s Sara Fishko thinks it might be better described as a hate-love relationship.
  

  
With thanks to Fishko Files Assistant Producer Laura Mayer.